Based on the classic short story by Charlotte Perkins Gilman, The Yellow Wallpaper follows the story of A Woman – played by Kate McArthur (BWT Award Best Featured Actress, The Rear Window) – who, after showing signs of depression, is subjected to the “rest cure” and pushed into forced isolation by her physician husband. Over time she becomes increasingly consumed with the sickly yellow wallpaper that covers her bedroom walls, rapidly losing her sense of self and her grasp on reality. A biting critique on the treatment of women’s mental health when it was first published in 1892, the story remains unfortunately relevant today when a staggering number of people report a mental health decline since the onset of the pandemic, and the inability to access adequate care.

Directed by Emily Dix (The Birds; BWT Award Best Direction, The Rear Window) and inspired by the negative impact that COVID-19 has had on those who already suffer from mental illness, this original production is set in the historic Campbell House Museum. Animation is provided by digital and VFX artist Steven Dirckze to enhance McArthur’s live performance which is displayed throughout the house via projection design by Media Producer Bria Cole, using projection technology graciously provided by Panasonic. The participation of Kate McArthur is arranged by permission of Canadian Actors’ Equity Association under the provisions of the Dance-Opera-Theatre Policy (DOT).

Audience members are invited to wander the house and experience the show from different perspectives as they interact with unique elements found in each room. The order in which they access the rooms, as well as the time spent with various elements will inform their experience of the play, and of The Woman’s madness. Additionally, a live-streaming experience will be available for audience members to watch from home via Zoom, a process which utilizes Blackmagic Design production, broadcasting, and livestreaming technology.

This experimental production, a marked departure from Bygone’s usual chamber dramas, is made possible through funding from the Canada Council’s Digital Now grant.