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<title>blogTO | Posts by Graeme</title>
<link>http://www.blogto.com/</link>
<description>Toronto blog</description>
<copyright>Copyright 2008</copyright>
<lastBuildDate>Tue, 07 Oct 2008 06:31:21 PDT</lastBuildDate>
<docs>http://blogs.law.harvard.edu/tech/rss</docs> 
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<title>Thursday Theatre Review: The Crackwalker</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/09/20080925_crackwalker.jpg" width="590" height="393" alt="the crackwalker"/> When it first premiered at Theatre Passe Muraille 28 years ago, Judith Thompson's <em>The Crackwalker</em> was a kind of lighning rod for Canadian drama. Not only did it mark the arrival of a major new theatrical voice, but it signalled a new maturity among Canadian playwrights. Grit and brutal honesty had arrived.<br><br><a target="_blank" href="http://www.stagedandconfused.com/Home.html">Staged and Confused</a>'s production of The Crackwalker, also at Theatre Passe Muraille, is a worthy tribute to the significance of that first production. But it fails to generate any relevance of its own or achieve the resonance of its forebearer. Legacy, as it turns out, can be a tricky burden to bear.<p align="right"><a href="http://www.blogto.com/theatre/2008/09/thursday_theatre_review_the_crackwalker">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/09/thursday_theatre_review_the_crackwalker</link>
<guid>http://www.blogto.com/theatre/2008/09/thursday_theatre_review_the_crackwalker</guid>
<category>Theatre</category>
<pubDate>Thu, 25 Sep 2008 12:21:04 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-09-25T12:21:04</dc:date>
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<title>Thursday Theatre Review: Norway.Today</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/09/20080811_norwaytoday.jpg" width="590" height="367" alt="20080811_norwaytoday.jpg"/>Up until this Tuesday, I knew exactly three things about Norway. 1) Vikings come from there. 2) My friend Magnus lives there. Sadly, he is not a Viking. 3) It has fjords. And presumably Fords, although that's far less interesting from a tourism perspective.<br><br>But thanks to <a target="_blank" href="http://www.theatresmash.com">Theatre Smash</a>'s superb production of <em>Norway.Today</em>, I know a fourth thing about the Scandinavian nation: it is home to a 2000 feet-high cliff called the <em>Preikestolen</em>. Not only is it a scenic wonder, it's also an ideal place for the histrionically-inclined to off themselves. And, as it turns out, the backdrop for a very interesting piece of theatre. <p align="right"><a href="http://www.blogto.com/theatre/2008/09/thursday_theatre_review_norwaytoday">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/09/thursday_theatre_review_norwaytoday</link>
<guid>http://www.blogto.com/theatre/2008/09/thursday_theatre_review_norwaytoday</guid>
<category>Theatre</category>
<pubDate>Thu, 11 Sep 2008 12:01:20 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-09-11T12:01:20</dc:date>
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<title>Thursday Theatre Review: Waiting for Godot</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/08/godot2_08282008.jpg" width="590" height="277" alt="godot"/><em>Waiting for Godot</em> is the theatrical equivalent of a mine field. Full of starving grizzly bears. Surrounded by a shark-infested moat. On fire. <br><br>It is a play where nothing actually happens. Two guys show up and wait for another guy to arrive. But behind this facade of inactivity lies a vast chasm of existential ambiguity. Sixty years after it was written, nobody is really sure what it's actually about. In fact, the play resists explanation so strongly, any attempt to pin down Beckett's intent seems doomed to failure. <br><br>So when I read that <a target="blank" href="http://remaininlight.ca/index.html">Remain in Light Theatre</a>'s production of <em>Godot</em> featured a World War II setting and the music of Joy Division, I thought: Uh oh. This might be trouble. And it was. But only a little. Almost in spite of itself, Remain in Light has managed to mount an impressive production of Beckett's classic. <p align="right"><a href="http://www.blogto.com/theatre/2008/08/thursday_theatre_review_waiting_for_godot">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/08/thursday_theatre_review_waiting_for_godot</link>
<guid>http://www.blogto.com/theatre/2008/08/thursday_theatre_review_waiting_for_godot</guid>
<category>Theatre</category>
<pubDate>Thu, 28 Aug 2008 14:42:42 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-08-28T14:42:42</dc:date>
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<title>Thursday Theatre Review: Summerworks</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/08/20080814_SummerworksPelee.jpg" width="590" height="395" alt="20080814_SummerworksPelee.jpg"/>If you haven't been checking out the <a target="_blank" href="http://www.summerworks.ca/2008/home.php">Summerworks Theatre Festival</a>, let me ask you this: what the heck have you been doing? Standing around in the rain? Putting a lot of effort into a summer romance that, let's be honest, isn't going to work out? Seriously, people. Go check it out. Great theatre, music, dance, art...and you have four days left to take it all in.<br><br>Ever your faithful servants, we have been hitting the tarmac and sniffing out the best bets. Continue reading for reviews of<strong> Dust</strong>, <strong>Flux</strong>, <strong>If We Were Birds</strong>, <strong>Kid Cosmic</strong>, <strong>Pelee</strong>, <strong>Rendevous With Home</strong>, and <strong>The Performance Gallery</strong>.<p align="right"><a href="http://www.blogto.com/theatre/2008/08/thursday_theatre_review_summerworks">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/08/thursday_theatre_review_summerworks</link>
<guid>http://www.blogto.com/theatre/2008/08/thursday_theatre_review_summerworks</guid>
<category>Theatre</category>
<pubDate>Thu, 14 Aug 2008 12:32:32 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-08-14T12:32:32</dc:date>
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<title>Summerworks Cometh</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/08/20080806_peleesumerworks.jpg" width="590" height="395" alt="Cast of Pelee"/>Ah, the summer of 2008. If the rain doesn't wash you away, then you're liable to be swamped by theatre. Hot on the heels of the 11 day performance binge of the Toronto Fringe comes the <a target="_blank" href="http://www.summerworks.ca/2008/home.php">Summerworks Theatre Festival</a>. Think of it as a smaller, more refined version of the Fringe. Unlike its larger cousin, Summerworks is juried. The festival evaluates each show, and only the best applicants get in. So while it lacks the brash irreverance of the Fringe, Summerworks always provides a high-quality product.<br><br>And there's a lot of product to choose from. With 42 shows, eight nights of live music and a "performance gallery" at the Gladstone Hotel, the variety can be a little daunting. Continue reading for a few of my early picks.<br><p align="right"><a href="http://www.blogto.com/theatre/2008/08/summerworks_cometh">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/08/summerworks_cometh</link>
<guid>http://www.blogto.com/theatre/2008/08/summerworks_cometh</guid>
<category>Theatre</category>
<pubDate>Thu, 07 Aug 2008 09:37:37 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-08-07T09:37:37</dc:date>
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<title>Thursday Theatre Review: The Christian Republican Fundraiser in Dayton Tennessee</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/07/20070717christianrepub1.jpg" width="590" height="357" alt="the cast"/>Well, another Fringe Festival has come and gone. But like every year, there are a few shows that will go on to bigger things. In 1999, there was the <em>Drowsy Chaperone</em>. In 2002, <em>Job: The Hip Hop Musical</em> got all the buzz. Last year gave us the <em>Gladstone Variations</em> and <em>An Inconvenient Musical</em>. <br><br>And in 2008, we have <a target="_blank" href="http://www.christianrepublicanfundraiser.com/">The Christian Republican Fundraiser in Dayton Tennessee</a>. I reviewed this show during the Fringe and loved it. But since <em>Christian Republican Fundraiser</em> is playing next week as part of <a target="_blank" href="http://www.dieselplayhouse.com/">Diesel Playhouse</a>'s "Best of the Fringe", I thought I'd tell you a bit more about what makes this show so good.  <p align="right"><a href="http://www.blogto.com/theatre/2008/07/thursday_theatre_review_the_christian_republican_fundraiser_in_dayton_tennessee">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/07/thursday_theatre_review_the_christian_republican_fundraiser_in_dayton_tennessee</link>
<guid>http://www.blogto.com/theatre/2008/07/thursday_theatre_review_the_christian_republican_fundraiser_in_dayton_tennessee</guid>
<category>Theatre</category>
<pubDate>Thu, 17 Jul 2008 11:39:45 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-07-17T11:39:45</dc:date>
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<title>Fringe 2008 - Day 10</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/07/20080712_einsteinswife.jpg" width="590" height="365" alt="einstein's wife"/>I was talking with my good friend yesterday, a veteran of many a Fringe performance. I asked him: with 150+ shows and 29 venue, is it possible to see everything?<br><br>"No. But you can try."<br><br>Indeed. And try we might, with only two days to go.<br><br>Continue reading for reviews of<strong> Lupe: Undone</strong>, <strong>Einstein's Wife</strong>, <strong>Putz</strong>, <strong>Blastback Babyzap</strong>,  and <strong>You Mean Now?</strong>.<p align="right"><a href="http://www.blogto.com/theatre/2008/07/fringe_2008_day_10">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/07/fringe_2008_day_10</link>
<guid>http://www.blogto.com/theatre/2008/07/fringe_2008_day_10</guid>
<category>Theatre</category>
<pubDate>Sat, 12 Jul 2008 11:39:39 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-07-12T11:39:39</dc:date>
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<title>Fringe 2008 - Day 9</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/07/20080710fringeticket.jpg" width="590" height="343" alt="fringe ticket"/> Well, it's crunch time now folks. Only three days left to see dozens of innovative and occasionally bizarre shows at the 2008 Fringe. <br><br>And while you're out there desperately cramming as much theatre into 72 hours as you can, remember to show the Fringe volunteers a little love. It's hard work, but there wouldn't be a festival without them.<br><br>Continue reading for reviews of <strong>How To Build and Empire</strong>, <strong>Sarah Hennessey Time</strong>, <strong>Middle of the End</strong>, <strong>Viva Vivi!</strong>, and <strong>Kaliban</strong>. <br><p align="right"><a href="http://www.blogto.com/theatre/2008/07/fringe_2008_day_9">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/07/fringe_2008_day_9</link>
<guid>http://www.blogto.com/theatre/2008/07/fringe_2008_day_9</guid>
<category>Theatre</category>
<pubDate>Fri, 11 Jul 2008 11:30:34 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-07-11T11:30:34</dc:date>
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<title>Fringe 2008 - Day 7</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/07/bbqking.jpg" width="590" height="392" alt="bbqking"/>Not even a torrential downpour could stop Tuesday's Fringe festivities. It almost stopped me, but I  persevered and saw some quality theatre in soaking wet shorts. Remember, Fringers- only five days left in the 2008 Toronto Fringe. Get out there and see some shows. But bring an umbrella. Or a raft.<br><br>Continue reading for reviews of  <strong>The Barbecue King</strong>, <strong>Telegrams from the new Canadian cinema</strong>,  <strong>The Tricky Part</strong>, <strong>Acis and Galatea</strong>, <strong>Teaching the Fringe</strong>, <strong>Trust</strong>, <strong>A Girl Named Ralph</strong>, and <strong>The Further Adventures of Antoine Feval</strong>.<br><br><p align="right"><a href="http://www.blogto.com/theatre/2008/07/fringe_2008_day_7">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/07/fringe_2008_day_7</link>
<guid>http://www.blogto.com/theatre/2008/07/fringe_2008_day_7</guid>
<category>Theatre</category>
<pubDate>Wed, 09 Jul 2008 10:21:48 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-07-09T10:21:48</dc:date>
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<title>Thursday Theatre Review: Bad Dog Improv Summit</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/06/20080626_baddog.jpg" width="590" height="443" alt="bad dog theatre toronto"/>I'm going to try something a bit different in the ol' TTR this week. As I'm trying to conserve my limited critical resources for the two-week theatre orgy called <a target="_blank" href="http://www.fringetoronto.com/">The Fringe</a>, today will be a combination 'review' and 'feature'. What I like to call a 'freview', or occasionally a 'reveature'.<br><br>Moving forward.<br><br>Everyone loves a summit. If by 'everyone', you mean scowling diplomats and folks really into the reduction of nuclear weapon stockpiles. But Toronto's <a target="_blank" href="http://www.baddogtheatre.com/modules/news/">Bad Dog Theatre</a> has come up with an event with much broader appeal- instead of arguing about the number of ICBMs in Poland, the <a target="_blank" href="http://summit.baddogtheatre.com/">Bad Dog Improv Summit</a> is all about funny. <p align="right"><a href="http://www.blogto.com/theatre/2008/06/thursday_theatre_review_bad_dog_improv_summit">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/06/thursday_theatre_review_bad_dog_improv_summit</link>
<guid>http://www.blogto.com/theatre/2008/06/thursday_theatre_review_bad_dog_improv_summit</guid>
<category>Theatre</category>
<pubDate>Thu, 26 Jun 2008 14:10:29 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-06-26T14:10:29</dc:date>
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<title>Thursday Theatre Review: Black Watch</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/06/200806012_blackwatch.jpg" width="590" height="393" alt="black watch"/>The <a target="_blank" href="http://www.nationaltheatrescotland.com/content/default.asp">National Theatre of Scotland</a> is approximately 3300 Km from Toronto. Under normal circumstances, seeing a show there would involve a lot of money, time, jetlag, and hangovers, as the last time I was in Scotland I somehow ended up drinking the volume of a small bathtub every day.<br><br>So, I owe the <a target="_blank" href="http://www.luminato.com/festival/eng/">Luminato Festival</a> a debt of thanks. Their importation of the NTS's <a target="_blank" href="http://www.luminato.com/festival/eng/events/ID19/index.php">Black Watch</a> saved me a handful of cash and spared my liver the vagaries of a week in Glasgow. And as a happy bonus, it was a pretty damn amazing show to boot.<p align="right"><a href="http://www.blogto.com/theatre/2008/06/thursday_theatre_review_black_watch">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/06/thursday_theatre_review_black_watch</link>
<guid>http://www.blogto.com/theatre/2008/06/thursday_theatre_review_black_watch</guid>
<category>Theatre</category>
<pubDate>Thu, 12 Jun 2008 11:00:35 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-06-12T11:00:35</dc:date>
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<title>Thursday Theatre Review: Much Ado About Nothing</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/06/dreamnorth.jpg" width="590" height="393" alt="dreamnorth"/> I am not a religious man. Still, I have managed to pick up  a few Judeo-Christian nuggets over the years. Here's one I think more or less sums up vast swathes of the New Testament:<br><br>Sharing is good.<br><br>And the best kind of sharing is when someone has a lot of something gives it to someone who has very little. Such is the philosophy embraced by <a target="_blank" href="http://www.dreamnorth.ca/">DreamNorth Theatre Company</a>, who for the second year is taking a Shakespearean play from relatively theatre rich Toronto, and exporting it to the theatre-poor Yukon. A neat idea, made all the better by the fact that their version of <a target="_blank" href="http://www.dreamnorth.ca/moreinfo.php">Much Ado About Nothing</a> is very good. Thankfully, Toronto audiences still have a few days to catch this show at Fort York before it packs up and heads north.<p align="right"><a href="http://www.blogto.com/theatre/2008/06/thursday_theatre_review_much_ado_about_nothing">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/06/thursday_theatre_review_much_ado_about_nothing</link>
<guid>http://www.blogto.com/theatre/2008/06/thursday_theatre_review_much_ado_about_nothing</guid>
<category>Theatre</category>
<pubDate>Thu, 05 Jun 2008 10:25:53 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-06-05T10:25:53</dc:date>
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<title>Thursday Theatre Review: Breakfast</title>
<description><![CDATA[
<img src="http://www.blogto.com/upload/2008/05/breakfast.jpg" width="590" height="354" alt="breakfast.jpg"/> Creating a new play isn't easy, especially when you eschew more mainstream conventions of story and character. Like, say, if you were to take an utterly mundane daily activity and explode it into an extraordinary moment of self discovery. <br><br>Such is the challenge of the <a target="_blank" href="http://www.independentauntie.ca/">Independent Aunties</a>/ <a target="_blank" href="http://www.theatrecentre.org/">Theatre Centre</a> co-pro <a target="_blank" href="http://www.theatrecentre.org/showdetails.php?id=5">Breakfast</a>. Billed as a 'production in progress', it's not always a complete success as a piece of theatre. But it is an interesting and brave show, well worth checking out for those who like to walk a bit off the beaten theatrical path.<p align="right"><a href="http://www.blogto.com/theatre/2008/05/thursday_theatre_review_breakfast">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/05/thursday_theatre_review_breakfast</link>
<guid>http://www.blogto.com/theatre/2008/05/thursday_theatre_review_breakfast</guid>
<category>Theatre</category>
<pubDate>Thu, 29 May 2008 11:26:51 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-05-29T11:26:51</dc:date>
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<title>Thursday Theatre Review-on-a-Friday: The Eco Show</title>
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<img src="http://www.blogto.com/upload/2008/05/ecoshow02.jpg" width="590" height="332" alt="ecoshow"/> Plays about 'ideas' are tempermental beasts. When a playwright hitches his wagon to some kind of a political or social concept, it often ends up as a very boring show. A play that really wants to tell you something about, say, poverty ends up forgetting about all those other things that audiences <em>actually</em> connect with- story, characters and relationships. A good piece of social or political drama starts with the basics and lets the conceptual implications flow upwards.<br><br>So, it was with some trepidation that I went to see <a target="_blank" href="http://www.necessaryangel.com/">Necessary Angel</a>'s production of <a target="_blank" href="http://www.necessaryangel.com/ecoshow/">The Eco Show</a>, the latest offering from Toronto's theatrical wunderkind, Daniel Brooks. Based on the title alone, I thought I was in for an environmental screed, a kind of Al Gore meets Hamlet kind of affair. Turns out, Brooks has not only created a remarkably compelling family drama, but also committed one of the most spectacular theatrical fake-outs I have ever seen. But more on that later.<p align="right"><a href="http://www.blogto.com/theatre/2008/05/thursday_theatre_reviewonafriday_the_eco_show">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/05/thursday_theatre_reviewonafriday_the_eco_show</link>
<guid>http://www.blogto.com/theatre/2008/05/thursday_theatre_reviewonafriday_the_eco_show</guid>
<category>Theatre</category>
<pubDate>Fri, 16 May 2008 14:21:02 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-05-16T14:21:02</dc:date>
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<title>Theatre Review at Large: The December Man</title>
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<img src="http://www.blogto.com/upload/2008/05/DecemberMan.jpg" width="590" height="393" alt="DecemberMan"/> Despite all the hooplah about <a target="_blank" href="http://www.canstage.com/2007-2008/index.php">CanStage</a>'s <a target="_blank" href="http://www.blogto.com/theatre/2008/02/trouble_for_canstage_trouble_for_toronto/">recent financial woes</a>, the company deserves praise for its 2007-08 season at the Berkeley Street Theatre. CanStage's three Berkeley shows- <a target="_blank" href="http://www.blogto.com/theatre/2007/09/thursday_theatre_review_the_pillowman/">The Pillowman</a>, Palace of the End, and <a target="_blank" href="http://www.canstage.com/2007-2008/play.php?ID=17">The December Man</a>- are all unflinchingly honest looks at humanity's darker places. Bold choices, particularly when Toronto's theatre industry struggles with declining attendance, stagnant funding at the grim prospect of a North American recession.<br><br>As the old saying goes, fortune does indeed favour the bold. The Berkeley season has been at least an artistic success, bringing a welcome level of relevance and emotional depth to Toronto audiences. It is perhaps fitting then that the final show of the season, <em>The December Man</em>, should embody this trend so fully. While <em>The Pillowman</em> reveled in an almost cartoonish brutality, and <em>Palace of the End</em> spoke with the urgency of today's headlines,  <em>The December Man</em> takes a softer, simpler look at the lingering destruction of a horrible crime. It is a very moving show, a detailed and honest look at a family consumed by guilt and loss. <br><br><p align="right"><a href="http://www.blogto.com/theatre/2008/05/theatre_review_at_large_the_december_man">More...</a></p>
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<link>http://www.blogto.com/theatre/2008/05/theatre_review_at_large_the_december_man</link>
<guid>http://www.blogto.com/theatre/2008/05/theatre_review_at_large_the_december_man</guid>
<category>Theatre</category>
<pubDate>Mon, 05 May 2008 11:16:02 PDT</pubDate>
<dc:subject>Theatre</dc:subject>
<dc:creator>Graeme</dc:creator>
<dc:date>2008-05-05T11:16:02</dc:date>
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